The New Yorker: Culture
The performances of Karla Sofía Gascón and Zoe Saldaña bring energy and emotion, but the movie never gets beyond its splashy surfaces.
“Kent State,” “How the New World Became Old,” “The Last Dream,” and “The Repeat Room.”
In “Quarterlife,” Devika Rege uses three very different protagonists to explore the country’s ideological ferment—setting them first at play, then at war.
The art endures partly because it’s rooted in the moment—the surrender of one person to another.
An ambitious new book sees hidden currents linking writers as disparate as Colette, Thomas Mann, D. H. Lawrence, Virginia Woolf, Ralph Ellison, and Chinua Achebe.
Bridges, a chic new restaurant from a former Estela chef, offers indulgence through restraint, with eye-opening results.
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