The New Yorker: Culture
Jerry Seinfeld on how to write jokes, the ending of “Curb Your Enthusiasm,” and the world-historical struggle to invent the Pop-Tart.
A new wave of shops has made its mark across the country—and shaken New York’s bagel scene out of complacency.
In my native Oklahoma, snake meat was a masculine trophy, edible proof that you were willing to tangle with death.
In the spring of 2020, artists captured silliness, sexiness, despondence, and hope. What does quarantine look like when viewed from the other side?
Joanna Arnow’s new film mines the comic potential of distance and framing, in an examination of degradations large and small.
Demonstrations and counter-demonstrations on campus and beyond.
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